Idk why reviews of this are so poor. This dumb flick is better than half the Bourne movies.
I liked this enough to seek out the movie it was based on.
The Love, Death, and Robots model applied to franchises is the best thing happening right now. Star Wars Visions was a strong representative of that and so is this. Fresh takes on stale IP through the eyes of studios and other filmmakers that wouldn’t otherwise be able to secure a feature.
So many cool ideas executed concisely and without compromise. Are all of these ides I hoped to see has full features a la Prey? Yes. But I’ll take what I can get. I’m looking forward to Badlands.
I've been over-enamored with "Bloom" since it came across my Instagram feed last year. It remains to be seen if In Pieces has the script to carry a Broadway run, but it certainly has the tunes to get the job done.
I love the cast of this performance. Antonio Cipriano's tone is unreal and Stephanie Torns (Waitress) is the perfect compliment. I'm a big Anson Bagley fan, so I was apprehensive about hearing Charlie's songs sung by someone else. Nathan…
What does it say about the state of American dramatic arts when a movie such as this is carried almost entirely by young English blokes and one Indigenous Canadian? Don’t get me wrong, this cast rocks. Cosmo Jarvis fucking rules in this. I really enjoyed the movie.
But it raises questions. Not about the performers, but about the system. Why are these standout roles consistently landing with international actors? Is it a matter of range? Training? Or are American actors…