CinemaJoe has written 304 reviews for films during 2024.

I find myself loving this the most when it’s unapologetically critical of capitalism, but find that year after year, I do not gel with the ending. Not so much that George realizes his impact on his community nor his epiphany that what truly matters is his family— I loathe the last minute rally from the community to save George and effectively thrust him back into the capitalist world he so desperately wanted to escape.
Obviously, this movie is existing immediately…
With every improvement in photorealistic animation, I’m ittedly awed by what we can achieve, but simultaneously feel more disconnected from whatever story is being told. I suppose I’m less concerned with the viability of photorealism as a style within a medium, but more concerned with the recent obsession because it seems to stem from this increasing obsession with “realism”. It perpetuates the inane concept that animation is reserved for children and what cost? Some grinning “realistic” lions occupying a sludge world? …
This pot is making you aggressive.
Call it an erotic thriller all you want, as long as you consider it a black comedy as well. Anyways, masterpiece and such.
God the McCallisters suck so bad. (Home Alone 2 still better)
It took me until Kraven the Hunter to realize how much I’ll miss the Sony-Verse. As frustrating as they were and with all of their glaring flaws (there were many), they still offered a sense of reprieve from the plastic and corporate feel of the MCU.
Maybe it’s this movie’s go-for-broke attitude or ATJ’s effortless charisma— whatever it is, Kraven struck a chord with me that no other Sony-verse movie had before, and for that, I’ll at the very least miss what these movies brought to the table.
We need to stop have “Is Die Hard a Christmas movie” discourse, because it very obviously is.
We need to be re-releasing movies like this in IMAX monthly.