Norman Reedus rolls the BAFTA dice to break down some of the iconic film, games and TV characters he's played so far in his career.

Code of Silence creator Catherine Moulten, executive producer Bryony Arnold, director Diarmuid Goggins and stars Rose Ayling-Ellis, Charlotte Ritchie, Andrew Buchan and Kieron Moore discuss the creation of the show, how Francis Ford Coppola's The Conversation was a huge influence, and why it was important to portray lip-reading in an authentic way.

Dept Q's Matthew Goode, Alexej Mavelov, Leah Byrne and Chloe Pirrie share what they loved about making the Netflix series, the joys of filming in Scotland and what songs best represent the characters!

David Hare, writer, director, and man behind the recent big screen adaptations of The Hours and The Reader has shared his thoughts on what makes a successful film.

Kathleen Kennedy might be Hollywood’s most powerful woman, but she’s still a little unused to the spotlight. For years, she’s served comfortably as a puppeteer – an invisible hand pulling at the strings. Now it’s Kennedy’s moment to step out of the shadows. As president of Lucasfilm, she’s the person behind a new generation of Star Wars films, television shows, books and games. “I am much more comfortable behind the camera,” she jokes. “But I like being a role model…

Sinners Ryan Coogler delivers the BAFTA 2022 David Lean Lecture, talking about how identity, community, ritual, fear and time shaped his career as a filmmaker.

Famed for her direct, comionate and fearless journalistic skills, our 2025 Television Fellowship recipient certainly makes for an intimidating interviewee.

The Last of Us showrunner Craig Mazin shares what he knows about a potential (or not) Last of Us Part III, working with Neil Druckmann to best adapt the Naughty Dog game series and what influenced the creation of the show.

The 2016 BAFTA Television Fellowship was awarded to one of the country’s best comedy writing teams, Ray Galton and Alan Simpson. The duo invented the modern television situation comedy genre with Hancock’s Half Hour and then perfected it with Steptoe and Son.